BAUDELAIRE’S SNAPSHOTS OF THE CITY: THE MODERN EXPERIENCE IN FOCUS

Autores

  • Viviane Ramos de Freitas Universidade Federal da Bahia (Ufba)

Resumo

This work explores the photographic snapshot aspect of Charles Baudelaire’s city poems in the section “Parisian Scenes” of Flowers of Evil. The text discusses Baudelaire’s contention that photography is art’s mortal enemy, and it draws the attention to the visual impulse of Baudelaire’s urban poetry. The work, then, establishes a dialogic exchange with Walter Benjamin’s analysis of the urban aesthetic experience, which associates Baudelaire’s aesthetics with photography, in their opposition to the auratic aesthetics. Contrary to Benjamin, this work argues for the auratic character of Baudelaire’s poetry. The work focuses on Baudelaire’s activity as poet of the city, an engaged social observer whose poetry, facing the challenge of encompassing the contemporary scene, gradually becomes involved in a critical practice, opening up modern experience to greater scrutiny. In this way, Baudelaire claims the place of the individual within the metropolis and asserts the humanistic character of his poetry

 

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Biografia do Autor

Viviane Ramos de Freitas, Universidade Federal da Bahia (Ufba)

Doutoranda em Teorias e Crítica da Literatura e da Cultura (UFBA). Mestre em Literatura Inglesa pela University College London (Inglaterra). Mestre em Teorias e Crítica da Literatura e da Cultura (UFBA).

 

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Publicado

2018-04-03

Como Citar

Freitas, V. R. de. (2018). BAUDELAIRE’S SNAPSHOTS OF THE CITY: THE MODERN EXPERIENCE IN FOCUS. fólio - Revista De Letras, 4(2). Recuperado de https://periodicos2.uesb.br/index.php/folio/article/view/3398

Edição

Seção

VERTENTES & INTERFACES I: Estudos Literários e Comparados