ODU

BLACK AESTHETICS OF A WATER WRITING

Abstract

The purpose of this text is to present the odu, which traces the path of a black aesthetic produced by a poetic writing formed by water, aiming to announce which turns and paths are possible to elaborate in words to speak of peripheral and black modernities. So, the comprehension of this work walks in the sense of understanding that black women literary production consists of political-cultural actions of modernity, from the watery texture of its tracings, which are called rivergraphies. For this, discussions around the poem "Ori" by the poet Lívia Natália deliver consistencies for this production that defies structure.