“Returnees or the remains of the Empire”: a documentary to preserve the memory of Angola
DOI:
https://doi.org/10.22481/odeere.v0i1.1542Keywords:
Angola, Documentary, Returnees, MemoryAbstract
The analysis of accounts presented in the documentary “Retornados ou os Restos do Império” (Returnees or the Remains of the Empire) will allow us to observe the images which represent Africa in the memory of those who left Angola after the end of the colonial war. The study of snippets from the documentary will allow the reflection on the various analysis possibilities in this study with a cinematic work. It will also highlight the relationship between the film and the context in which it was produced, in order to recall the event which brought to Portugal thousands of people who were running away from the war between the liberation movements in Angola. The documentary in question works with interviewees’ emotions using images which represent the reason for the exit from Angola and showing scenes that dialog with the spectator about the memory they possess about the recent past.
Keywords: Angola, documentary, returnees, memory.
Downloads
References
CARDOSO, Dulce Maria, O Retorno, Rio de Janeiro, Tinta da China, 2012
CARVALHO, Ruy Duarte de. A câmara, a escrita e a coisa dita... fitas, textos e palestras. Lisboa: Cotovia, 2008.
CASTELO, Cláudia, O modo português de estar no mundo. O luso-tropicalismo e a ideologia colonial portuguesa (1933-1961), In O Mundo Continuará a Girar. Prémio Victor de Sá de História Contemporânea, 20 anos (1992-2011), Organização: Henrique Barreto Nunes, José Viriato Capela, Braga, 2011
CATROGA, Fernando. A representificação do ausente. In: Os passos do homem como restolho do tempo - memória e fim do fim da História. Coimbra: Almedina, 2009.
DACOSTA, Fernando. Os Retornados mudaram Portugal. Lisboa: Parsifal, 2013.
HALL, Stuart. Quem precisa da identidade? In: SILVA, Tomaz Tadeu (org. e trad.). Identidade e diferença: a perspectiva dos estudos culturais. Petrópolis: Vozes, 2000. p. 103-133.
HALBWACHS, Maurice. A memória coletiva. São Paulo: Vértice, 1990
NOVA, Cristiane. O cinema e o conhecimento da história. Olho da História: revista de história contemporânea. Salvador, UFBA, v. 2, n.3. p. 218-233, 1996.
PENAFRIA, Manuela, Análise de Filmes - conceitos e metodologia(s). Apresentado no VI Congresso SOPCOM, abril de 2009.
PENAFRIA, Manuela. O ponto de vista no filme documentário. Covilhã: Universidade da Beira do Interior, 2001.
PIÇARRA, Maria do Carmo. Cinema Império: o “fado tropical” na propaganda. In: Angola o nascimento de uma nação. Lisboa: Guerra e Paz, 2013.
ROSENTSTONE, Robert. A História nos filmes, os filmes na história. São Paulo: Paz e Terra, 2010.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 ODEERE

This work is licensed under a Creative Commons Attribution 4.0 International License.
You are free to:
Share - copy and redistribute the material in any medium or format; Adapt - remix, transform, and build from the material for any purpose, even commercially. This license is acceptable for Free Cultural Works. The licensor cannot revoke these freedoms as long as you follow the terms of the license.
Under the following terms:
Attribution - You must appropriately give credit, provide a link to the license, and indicate if any changes have been made. You may do so in any reasonable way, but not in a way that suggests that you or your use is endorsed by the licensor.
There are no additional restrictions - You cannot apply legal terms or technological measures that legally restrict others to make any use permitted by the license.