O MOMENTO DA MÚSICA DA DIÁSPORA AFRICANA

Dener Santos Silveira; José Ricardo Marques dos Santos

doi:10.22481/odeere.v3i6.4297

Authors

Dener Santos Silveira Universidade Estadual do Sudoeste da Bahia
José Ricardo Marques dos Santos Universidade Estadual do Sudoeste da Bahia

DOI:

https://doi.org/10.22481/odeere.v3i6.4297

Abstract

This article intends to analyze the construction of some conceptual processes that led to the justification of the legitimation of the domination, subjugation and elimination of the dark-skinned human beings, specifically from the African continent and the respective lands where they were taken to to be enslaved. Upon receiving the nickname of Negro by the European colonizer, the African begins to be inserted in a stage of construction of non-being, non-humanity and non-rationality. In this way his body (the labor force) was used as fuel for the development of capitalism. A body that could be used and disposed of as soon as it became useless to be exploited. Even after the slavery economic system was extinguished, black body elimination strategies did not cease. Now, as a biological threat, contemporary political systems, updating colonial techniques, execute this same body in the form of necropolitics.

Keywords: body, death, necropolitics.

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