WILLIAM BLAKE E OS PEREGRINOS DOS CANTERBURY TALES DE CHAUCER: RELEITURAS VISUAIS E TEXTUAIS

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Chaucer G. Os contos da Cantuária. Tradução e notas de Paulo Vizioli. São Paulo: T.A. Queiroz; 1988.

Damon F. A Blake Dictionary. London: University Press of New England; 1988.

Eaves M. The Counter-Arts Conspiracy: Art and Industry in the Age of Blake. Ithaca: Cornell University Press; 1992.

Erdman DV. Blake: Prophet Against Empire. New York: Dover Publications; 1991.

Fallon D. “That Angel Who Rides on the Whirlwind”: William Blake’s Oriental Apotheosis of William Pitt. Eighteenth-Century Life. 2007; 31(2).

Frye N. Fearful Symmetry: A Study of William Blake. Princeton: Princeton University Press; 1947.

Gilchrist A. The Life of William Blake: Pictor Ignotus. London: Macmillan; 1863.

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Heppner C. Reading Blake’s Designs. Cambridge: Cambridge University Press; 1995.

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Kittredge GL. Chaucer and his poetry. Cambridge, MA: Harvard University Press; 1915.

Mertz JB. Blake v. Cromek: A Contemporary Ruling. Modern Philology. 2001; 99.

Mitchell WJT. Blake’s Compositive Art. Princeton: Princeton University Press; 1985.

Myrone M. William Blake: Seen in my visions. London: Tate Publishing; 2009.

Praz M. Literatura e artes visuais. São Paulo: Cultrix; 1982.

Read DM. Thomas Stothard’s The Pilgrimage to Canterbury (1806): A study in Promotion and Popular Taste. In: Finley WK, Rosenblum J (Eds.). Chaucer Illustrated: 500 years of the Canterbury Tales in pictures. London: Oak Knoll Press & The British Library; 2003.

Reisner ME. Effigies of Power: Pitt and Fox as Canterbury Pilgrims. Eighteenth-Century Life. 1979; (12).

Santos AC. Visões de William Blake: imagens e palavras em Jerusalém a Emanação do Gigante Albion. Campinas: Editora da Unicamp; 2009.

Stevenson W. Interpreting Blake's Canterbury Pilgrims. Colby Quarterly. 1977; 13(2).

Wilson M. The Life of William Blake. Oxford: Oxford University Press; 1971.