MULTICULTURALISM IN CINEMATOGRAPHIC PRODUCTIONS: ANALYSIS OF CHRONICALLY UNFEASIBLE FILMS AND CRASH

Abstract

This work is a collective cine-cartography of the films Chronically Unfeasible (2000) and Crash (2005). We delivered us to the movement of thoughts provoked by the readings of authors of cultural studies, such as Hall (2006), Silva (2000), Grosfoguel (2008), Quijano (2005), Wash (2007) and McLaren (2000), we trace theories to the philosophy of difference by Deleuze and Guattari potentiating the films analysis's. Organized in four parts, our paper debuts on a possible marriage between cinema, multicultural curriculum and education. The second part exposes a dense analysis of the film Chronically Unfeasible investigating possible particles of realities and fictions between Brazilian identities, power relations and the explicit. The third part, we maps the territories, the rhythms, the chaos and the becomes from the movie Crash. In this part, we highlight encounters and conversations between the film and theories, which fertilized writings and thoughts. Finally, in final considerations, we multiply possibilities, thoughts and contexts, offering to the reader a different look behind movies. Films as research’s objects, as composers of school curricula, active in this construction. Films like binoculars of real-fiction, which builds and deconstructs realities. Consider the deviation of clichés as a possible escape route, "Look at what you don't see".