Vol. 12 No. 1 (2014): Estudos da Língua(gem) - ISSN: 1982-0534

View Vol. 12 No. 1 (2014): Estudos da Língua(gem) - ISSN: 1982-0534

 jan-jun 2014

DOI: https://doi.org/10.22481/el.v12i1
Published: 2014-06-30

Editorial

  • Folha de rosto/ Expediente/ Ficha catalográfica

    Revista Estudos da Língua(gem)

  • Apresentação

    Auterives Maciel Júnior, Milene Silveira Gusmão
    5-7
    DOI: https://doi.org/10.22481/el.v12i1.1236

Papers

  • Bergson et les paradoxes du temps, ou comme le cinéma fait penser

    Danilo Augusto Santos Melo
    9-28
    DOI: https://doi.org/10.22481/el.v12i1.1237

  • Media passages: the film on the way to a new media constellation

    Wolfgang Bock
    29-44
    DOI: https://doi.org/10.22481/el.v12i1.1238

  • Image-thougth: Deleuze and the pedagogical function of the cinema

    Auterives Maciel Júnior, Sérgio Franklin de Assis
    45-60
    DOI: https://doi.org/10.22481/el.v12i1.1239

  • Cinema and Audiovisual: memory, training and creative processes towards the autonomy of the subject

    Miguel Pereira
    61-76
    DOI: https://doi.org/10.22481/el.v12i1.1240

  • The relationships between film and schooling: an experience crossed by visuality

    Inés Dussel
    77-100
    DOI: https://doi.org/10.22481/el.v12i1.1241

  • A policy of images: about cinema and sensations

    Jô Gondar, Johanna G. Hildenbrand
    101-119
    DOI: https://doi.org/10.22481/el.v12i1.1242

  • Sans images: mémoire historique et esthétique d’urgence dans le cinéma sans auteur

    Anita Leandro
    121-134
    DOI: https://doi.org/10.22481/el.v12i1.1243

  • L’image-excès, l’image-fossile, l’image-dissensus: trois propositions cinématographiques ...

    Andréa França, Patricia Furtado Machado
    135-156
    DOI: https://doi.org/10.22481/el.v12i1.1244

  • "L'inspecteur” d'Arthur Omar: fabulation et gestus

    Rodrigo Guéron
    157-173
    DOI: https://doi.org/10.22481/el.v12i1.1245

  • Madame Satã: the power of a body on the scene

    Geisa Rodrigues
    175-193
    DOI: https://doi.org/10.22481/el.v12i1.1246

  • The true story of Lena Baker: cinema and history in the construction of memory

    Milene Silveira Gusmão, Joslan Santos Sampaio
    195-216
    DOI: https://doi.org/10.22481/el.v12i1.1247